In the play "Romeo and Juliet," Shakespeare satisfies the many tastes of his audience through action, poetry, and humor.

First, a nonher brawl breaks out amid the servants of the feuding noble families of Capulet and Montague. Benvolio , a Montague, tries to bilk the fighting, but is himself embroiled when the rash Capulet, Tybalt , arrives on the icon. by and by citizens outraged by the constant violence beat all right the warring factions, Prince Escalus, the ruler of Verona, attempts to pr even upt any gain conflicts between the families by threatning death for anyone who disturbs the peace in the future. at a time more on pain of death, all men depart. ( I. i. 149) Second, at the party, as Romeo watches Juliet, entranced, a young Capulet, Tybalt, recognizes him, and is enraged that a Montague would go up into a Capulet feast. He prepares to attack, but Capulet holds him back. Am I the verify here(predicate) or you? Go to! (I. v. 79). Third, Benvolio and Mercutio encounter Tybalt , who, still enraged that Romeo be Capulets feast, has challenged Romeo to a duel. Romeo, now Tybalts kin sman by marriage, begs the Capulet to hold off the duel until he understands why Romeo does not want to fight. Angry traffic cardh this plea for peace, Mercutio says that he will fight Tybalt himself. The two be ride to duel. Romeo tries to stop them by leaping between the two. Tybalt stabs Mercutio under Romeos arm, and Mercutio dies. Romeo, in a rage, kills Tybalt. The capitulumshot is sucked into the play during these times of action.         It is the poetry of the play, more than the plot, which transports the proofreader into the rich world of deal do. Sometimes blank verses bloom of youth into riming lines, giving additional stunner to the words. Sometimes, Romeo and Juliet talk in sonnets to deem their love. Imagery is another aspect, which lifts the play to a higher(prenominal) train of intellectual pleasure. When Juliet appears on the balcony, Romeo, unspoilt of love and mania for her bursts into poetic exuberance. But soft, what light finish ed yonder windowpane breaks... In the tomb, ! Romeo again pours forth the passions of his heart in smashing poetry. gm detestable maw, thou womb of Death, Gorged with the dearest spot of the earth... Shakespeare has simply chosen the language for the play very carefully. The sense and dish aerial of the language is a true chiding of the depth and beauty of the characters themselves.         Shakespeare has enlivened the story with delightful characters and terrific wit in order to lighten the bitterness of the disaster .

The opening scene of the play is filled with puns as the servants Sampson and Gregory muff in a verbal duel as wellspring as a fight with sword s. Abraham observes that they will not retain coals, sum that they would not put up with insults. Gregory replies that if they did, they would be colliers...An we in choler, we will draw. Choler, meaning anger or hate, is pronounced close exactly same collier, but with a very opposite meaning. The Elizabethan audience enjoyed such puns. Mercutios speech is always full of wit and humor. His wit is the reaping of his intellectual sharpness; his humor is a product of his poking fun at other peoples weaknesses. On Romeos love sickness, he says, Alas, poor Romeo! He is already brain dead: stabbed with a white wenchs black eye; shot through the ear with a love song. After being stabbed by Tybalt, Mercutio even speaks humorously from his deathbed, saying, Ask for me tomorrow and you shall find me a fret man.         Shakespeare satisfies the many tastes of the audience through action, poetry, and humor. Together they make Romeo and Juliet an persistent and lyrical m asterpiece, an undying love song. ! If you want to get a full essay, order it on our website: BestEssayCheap.com

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